{"id":857,"date":"2019-05-15T16:04:33","date_gmt":"2019-05-15T13:04:33","guid":{"rendered":"http:\/\/www.leenakela.com\/wordpress\/?page_id=857"},"modified":"2024-10-04T12:27:14","modified_gmt":"2024-10-04T09:27:14","slug":"writings","status":"publish","type":"page","link":"https:\/\/www.leenakela.com\/wordpress\/writings\/","title":{"rendered":"Writings"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\">Writings<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"https:\/\/voima.fi\/blogit\/hameentie-48\/2024\/vieraskyna-mita-tuhoutuu-kun-taiteilijat-tekevat-luodolle-kaivon\/\" target=\"_blank\">Mit\u00e4 tuhoutuu, kun taiteilijat tekev\u00e4t luodolle kaivon?<\/a> (Voima-lehden Vieraskyn\u00e4 yhdess\u00e4 Heini Ahon ja Eero Yli-Vakkurin kanssa 2024)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/koneensaatio.fi\/wp-content\/uploads\/2024\/06\/Residencies_Reflected_2024_web.pdf\" data-type=\"URL\" data-id=\"https:\/\/koneensaatio.fi\/wp-content\/uploads\/2024\/06\/Residencies_Reflected_2024_web.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Conversation between the futurist Anna Kirveennummi and Leena Kela, artist and director of the Saari Residence: The Field of Constant Changes <\/a>(together with Anna Kirveennummi and Irmeli Kokko, Residencies Reflected publication edited by Irmeli Kokko 2024)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"https:\/\/blogit.uniarts.fi\/en\/post\/greetings-from-places-i-never-wanted-to-visit\/\" target=\"_blank\">Greetings from Places I Never Wanted to Visit<\/a> (Ecological Thinking 2024)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"https:\/\/blogit.uniarts.fi\/en\/post\/how-to-approach-an-islet\/\" target=\"_blank\">How to Approach an Islet?<\/a> (Ecological Thinking 2023)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.intellectbooks.com\/performance-art-in-practice\" data-type=\"URL\" data-id=\"https:\/\/www.intellectbooks.com\/performance-art-in-practice\" target=\"_blank\" rel=\"noreferrer noopener\">The ABC of Performance Art \u2013 or How Not to Get Lost in Translation? <\/a>(Performance Art in Practice edited by Aapo Korkeaoja 2022)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"https:\/\/www.vakka.fi\/a\/ns002427236\" target=\"_blank\">Merkityksellisyydest\u00e4<\/a> (vieraileva p\u00e4\u00e4toimittaja Vakka-Suomen sanomat 2020)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" aria-label=\"Empatia ja kaiken v\u00e4lisyyden verkottuminen (opens in a new tab)\" href=\"https:\/\/www.eduskunta.fi\/FI\/naineduskuntatoimii\/julkaisut\/Documents\/tuvj_11+2018.pdf\" target=\"_blank\">Empatia ja kaiken v\u00e4lisyyden verkottuminen<\/a> (kirjoitus Eduskunnan Tulevaisuusvaliokunnan julkaisussa Suomen luova potentiaali \u2013ratkaisuja ilmastokriisin aikakaudelle 2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" href=\"https:\/\/100puheenvuoroataiteesta.taike.fi\/kun-performanssitaiteesta-tuli-nykytaiteen-valtavirtaa\/\" target=\"_blank\">Kun performanssitaiteesta tuli nykytaiteen valtavirta <\/a> (100 puheenvuoroa taiteesta, Taike 2018)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" aria-label=\"Mit\u00e4 yhteis\u00f6taiteella voi tehd\u00e4?  (opens in a new tab)\" href=\"http:\/\/taidetutka.fi\/2018\/mita-yhteisotaiteella-voi-tehda\/\" target=\"_blank\">Mit\u00e4 yhteis\u00f6taiteella voi tehd\u00e4? <\/a> (yhdess\u00e4 Krista Pet\u00e4j\u00e4j\u00e4rven kanssa, Taidetutka 2018)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" aria-label=\"Taiteen muuttujia, taidetta erilaisissa konteksteissa (opens in a new tab)\" href=\"http:\/\/julkaisut.turkuamk.fi\/isbn9789522166470.pdf\" target=\"_blank\">Taiteen muuttujia, taidetta erilaisissa konteksteissa<\/a>  (yhdess\u00e4 Minna Haapasalon kanssa, Turun Taideakatemian julkaisut 2017)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Articles \/ interviews<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" aria-label=\"Keskustelu performanssin ajasta ja tilasta (EDIT media) (opens in a new tab)\" href=\"https:\/\/editmedia.fi\/leena-kela-keskustelu-performanssin-ajasta-ja-tiloista\/\" target=\"_blank\">Keskustelu performanssin ajasta ja tilasta<\/a> (EDIT media haastattelu 2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" aria-label=\"L\u00e4\u00e4nintaiteilijalla on sensorit auki (opens in a new tab)\" href=\"https:\/\/taiteilijalehti.fi\/laanintaiteilijalla-on-sensorit-auki\/\" target=\"_blank\">L\u00e4\u00e4nintaiteilijalla on sensorit auki<\/a> (Taiteilija-lehti 2012)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" aria-label=\"Imagine there is no planet (opens in a new tab)\" href=\"http:\/\/floatingplatforms.fi\/wp-content\/uploads\/2016\/06\/floatingplatforms.pdf\" target=\"_blank\">Imagine there is no planet<\/a> (Floating Platforms publication, text by Mari Krappala 2016)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Talks<\/h4>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" aria-label=\"Leena Kela etsii vastuullista tapaa olla kansainv\u00e4linen (opens in a new tab)\" href=\"https:\/\/areena.yle.fi\/audio\/1-50353102\" target=\"_blank\">Leena Kela etsii vastuullista tapaa olla kansainv\u00e4linen<\/a> (YLE radiohaastattelu 2019)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a rel=\"noreferrer noopener\" aria-label=\"Empatia on t\u00e4rke\u00e4 kansalaistaito (opens in a new tab)\" href=\"https:\/\/www.vakka.fi\/a\/ns002419696\" target=\"_blank\">Empatia on t\u00e4rke\u00e4 kansalaistaito<\/a> (kutsupuhujana Myn\u00e4m\u00e4en kunnan itsen\u00e4isyysp\u00e4iv\u00e4n juhlassa 2019)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Writings Mit\u00e4 tuhoutuu, kun taiteilijat tekev\u00e4t luodolle kaivon? (Voima-lehden Vieraskyn\u00e4 yhdess\u00e4 Heini Ahon ja Eero Yli-Vakkurin kanssa 2024) Conversation between the futurist Anna Kirveennummi and&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-857","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.leenakela.com\/wordpress\/wp-json\/wp\/v2\/pages\/857","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.leenakela.com\/wordpress\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.leenakela.com\/wordpress\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.leenakela.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.leenakela.com\/wordpress\/wp-json\/wp\/v2\/comments?post=857"}],"version-history":[{"count":14,"href":"https:\/\/www.leenakela.com\/wordpress\/wp-json\/wp\/v2\/pages\/857\/revisions"}],"predecessor-version":[{"id":1216,"href":"https:\/\/www.leenakela.com\/wordpress\/wp-json\/wp\/v2\/pages\/857\/revisions\/1216"}],"wp:attachment":[{"href":"https:\/\/www.leenakela.com\/wordpress\/wp-json\/wp\/v2\/media?parent=857"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}